Also if you have scrabble and a flowery wallpaper or something you can do little messages. That's all very pastel themed. If you don't have photoshop I could do the editing for you. Tips for Making Great Pictures http: This Site Might Help You. I did have some good ideas but because of weather and You could do some fashion photography? Get a buddy to wear some cute pastel coloured clothes. If you don't have any, you could run up to the charity shops and easily make a couple of outfits.
What is the Sunny 16 Rule in Photography? What is White Balance? What is the Rule of Thirds? What Makes a Good Photo? Case Studies Case Study: Bird Photography Case Study: Exposure at Night Case Study: Image Quality Case Study: Image Spots and Streaks Case Study: Night Shot Case Study: How Was This Picture Made 02?
This works particularly well when shooting cars and other forms of transport as it gives them a sense of motion. Try a prime lens for more creativity Shooting with a fixed focal length -- a prime lens -- will make you think more carefully about how you want to frame a subject to tell a particular story. It will often also get you a cleaner, sharper result. What do the measurements on my lens mean? Lenses are measured in terms of their focal length, which broadly describes the effect they have on incoming light and the way it is focused on the sensor.
A short focal length, such as 24mm, doesn't have a very high level of magnification, so will focus a broad vista on the sensor.
A long focal length, such as mm, has a high level of magnification, like a telescope, and so will fill the sensor with just the central part of the view. Understand your lens' true dimensions Unless you've paid for a high-end dSLR, or a professional camera such as the Leica M9 , your pocket snapper's sensor will almost certainly be smaller than a frame of 35mm film, the standard point of reference against which all focal lengths are measured.
The 35mm in a frame's name actually relates to the space between the top and the bottom of the film strip, which as well as the frame itself also contains some border areas and the sprocket holes used to move the film through the camera. A 35mm frame is positioned lengthwise on this strip, with its shortest dimension -- top to bottom -- perpendicular to the film's direction of motion.
As such, neither the height nor the width of the frame measures 35mm, but instead 24x36mm. To understand how the stated focal length on any lens will affect the shot captured by your camera, you need to factor in the multiplier effect, which converts the size of your sensor to the size of that 35mm piece of film.
The multiplier is often between 1. This would make a 50mm lens, commonly used in portrait photography, act like an 80mm lens, thus increasing the effective zoom and narrowing the amount of the scene seen in each frame. On a Nikon D , which has a slightly larger sensor Save money by opting for a smaller sensor This means you can, technically, save money by opting for a smaller sensor, as you'll be able to buy less powerful lenses to achieve the kind of results you would otherwise only get with a longer, more expensive zoom.
We've then set the range on the yellow gauge to around 1. We can now use the green scale to understand how far away from the camera our subjects need to be if they are to be accurately focused. By following the lines running from the two green entries for 5. Anything closer than that will be blurred. This gives us a great deal of freedom to snap whatever we want without making any further adjustments, so long as it's no closer to us than cm.
To create a more intimate effect, adjusting the distance ring so that 0. Invest in a cheap pair of lights If you're doing any kind of indoor photography, invest in a cheap pair of lights. Buy at least a pair, complete with tripod stands and reflectors to direct the light. Opt for continuous light rather than flash units, as they're cheaper, easy to use and great for beginners, as you don't have to take test shots to see how the shadows fall during setup.
Understand colour temperature Different colours and levels of light are measured using the Kelvin scale. For the best results, look for studio lights with a temperature of around 5,K-6,K to emulate bright daylight. Lights with a lower colour temperature often render a colour caste in your images that will have to be corrected in Photoshop or an alternative image editor. Effectively a five-sided cube with gauze sides and top, you position your lights so that they shine through the sides of the box, diffusing the light and softening the shadows.
Light boxes usually ship with a felted back cloth that can be attached using Velcro to create an infinite field of view by obscuring the seams of the box. Make best use of available light with a sheet of paper If you can't afford studio lights, even out harsh contrasts when shooting with natural light by positioning a large sheet of paper or card to reflect the incoming light onto the unlit side of your subject.
If shooting people, ask them to hold the card themselves outside of the framed shot. Alternatively, invest in a set of reflectors. Don't be dictated by the sun Using automatic settings to shoot into the sun will throw your subject into silhouette as the camera dials down the exposure to compensate for the bright background. Shooting people with the sun in front of them, meanwhile, solves the silhouette problem but introduces another one: Solve this by keeping their back to the sun and forcing the flash to fire switch from it 'auto' to 'on' or 'forced' to correct the exposure on your subjects' faces without leaving them squinting.
Observe the rule of thirds The most aesthetically pleasing images are those in which the subjects are aligned with the one-third power points in every frame. Position horizons one third up or down the height of the image, and people one third in from the left or right. Likewise, if you're snapping a frame-filling head shot, position the eyes so they're one third down from the top of the frame.
Some cameras give you the option of displaying an overlaid grid on the rear LCD to help you line up your subjects along these lines. If yours does, go one step further and put key elements on the points where the horizontal and vertical lines intersect. Exposure and focus come first, framing second Half-pressing the shutter release fixes the focus and exposure settings for the shot you're about to take. Pressing it all the way captures the frame. Use this to your advantage by metering for particular conditions by putting your subject on one of your camera's focus positions and half pressing the shutter to lock its settings then, without releasing the button, recompose the framing to align your subjects on the one-third power positions.
This way you'll get perfect exposures every time, whatever the composition. Use your free light meter If you don't have a light meter, use your camera's auto mode to gauge the optimum settings, even if you don't want an immaculately exposed result. Examine the shot's settings and then switch to manual mode and replicate them before pushing individual elements -- shutter speed, sensitivity, aperture and so on -- to achieve the moody result you're after.
Get up early, stay out late Photography is all about painting with light. Light is what gives your pictures contrast, shape and texture, and often the best light it that which appears at either end of the day when the sun is lower in the sky. At these times of day it casts longer, more extreme shadows, which in turn pick out small details, bumps and texture. By shooting early in the morning and late in the afternoon, you'll achieve far more interesting results than you would at high noon when you'll spend more time controlling the light coming into your lens than you will manipulating your subjects to best exploit the shadows.
Embrace the grey day Don't let an overcast day put you off heading out with your camera. The softer light you get on an overcast day is perfect for shooting plants, flowers and foliage as it dampens the contrasts we were championing in our previous step. This allows the camera to achieve a more balanced exposure and really bring out the colours in petals. Travel without a tripod: If you're pushed for space, though, check out this trick.
Balance your camera somewhere sturdy and safe, disable the flash and set a slow shutter speed or two seconds or more. Now set your self timer, fire the shutter release and let go of your camera so that you won't cause it to wobble.
By the time the self timer countdown expires, any residual movement caused by your hand letting go should have evened out, so your camera will sit still and steady throughout the exposure for a crisp, sharp result. Try and find a flat surface on some castle battlements and you'll see what we mean.
Combat this by packing a small beanbag in your camera bag. It's more stable and less likely to either fall over or wobble during the exposure. You can easily source a screw of the same size from a normal hardware store.
To avoid travelling with a bulky tripod, drill a hole in a standard bottle top the type you'd find capping a ml drinks bottle and thread the screw through it, fixing it in place using strong glue. Keep this in your camera bag as you travel, but don't bother carrying the rest of the bottle, as these are easily sourced wherever you happen to end up.
Fill an empty bottle with grit to give it some weight and screw your cap to the top. Banish long-arm self portraits Self portraits are great for capturing holiday memories, but if you can't find somewhere suitable to balance your camera while also framing the scene behind you, the only way you can take them is to hold your camera at arm's length and press the shutter release.
The results are rarely flattering. Invest in a cheap monopod search eBay for handheld monopod and use this to hold your camera away from you while keeping your hands in a more natural position and the great scenery you want to stand in front of behind you.
May 02, · hi everyone so im currently in the middle of my GCSE Photography coursework and i need some help my theme i am doing is colour, and i have decide to go in to the pastel coloured theme with a sort of vintage feel incorporated*. I did have some good ideas but because of weather and lighting issues i haven't been able to do Status: Resolved.
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In this post Gina Milicia – author of our brand new eBook, “Portraits: Making the Shot” shares 30 lessons for those wanting to get into the photography business. “Follow your bliss and the universe will open doors for you where there were only walls.” – Joseph Campbell 1. Find the best photography course or workshops [ ]. Hey guys:) My photography theme is identity and I was wondering if any of you could help me out; I need a varitety of anonymous personal letters that bein.
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